What we did in 2018

2018 is coming to an end, and everyone is rushing to get their ‘Year in Review’ articles out. We’re no different in that regard. Only we’re going to do it in two parts, first what we have been doing this year, and then a second blog entry reviewing all the great breakthroughs and interesting research results in audio engineering, psychoacoustics, sound synthesis and related fields.

But first, lets talk about us. 🙂

I think we’ve all done some wonderful research this year, and the Audio Engineering team here can be proud of the results and progress.

Social Media:

First off, we’ve increased our social media presence tremendously,

• This blog, intelligentsoundengineering.wordpress.com/ has almost 22,000 views, with  1,711 followers, mostly through other social media.

• Our twitter account, twitter.com/IntelSoundEng has 886 followers. Not huge, but growing and doing well a research-focused feed.

• Our Youtube channel, www.youtube.com/user/IntelligentSoundEng has over 20,000 views and 206 subscribers. Which reminds me, I’ve got some more videos to put up.

If you haven’t already, subscribe to the feeds and tell your friends 😉 .

Awards:

Last year’s three awards was exceptional. This year I won Queen Mary University of London’s Bruce Dickinson Entrepreneur of the Year award. Here’s a little video featuring all the shortlisted nominees (I start about 50 seconds in).

I gave the keynote talk at this year’s Digital Audio Effects Conference. And not exactly an award, but still a big deal. I gave my inaugural professorship lecture, titled Do you hear what I hear? The science of everyday sounds.

People:

This was the year everyone graduated!

David Moffat, Yonghao Wang, Dave Ronan, Josh Mycroft, and Rod Selfridge  all successfully defended their PhDs. They did amazing and are all continuing to impress.

Parham Bahadoran and Tom Vassallo started exciting positions at AI Music, and Brecht de Man started with Semantic Audio. Expect great things from both those companies. There’s lots of others who moved around- too many to mention.

Grants and projects:

We finished the Cross-adaptive processing for musical intervention project  and the Autonomous Systems for Sound Integration and GeneratioN (ASSIGN) InnovateUK project. We’ve been working closely with industry on a variety of projects, especially with RPPtv, who are funding Emmanouil Chourdakis’s PhD and collaborated on InnovateUK projects. We are starting a very interesting ICASE Studentship with BBC- more on that in another entry, and may soon start a studentship with Yamaha. We formed the spin-out company FXive, which hopefully will be able to launch product soon.

Publications:

We had a great year for publications. I’ve listed all the ones I can think of below.

Journal articles

  1. Hu, W., Ma, T., Wang, Y., Xu, F., & Reiss, J. (2018). TDCS: a new scheduling framework for real-time multimedia OS. International Journal of Parallel, Emergent and Distributed Systems, 1-16.
  2. R. Selfridge, D. Moffat, E. Avital and J. D. Reiss, ‘Creating Real-Time Aeroacoustic Sound Effects Using Physically Derived Models,’ Journal of the Audio Engineering Society, 66 (7/8), pp. 594–607, July/August 2018, DOI: https://doi.org/10.17743/jaes.2018.0033
  3. J. D. Reiss, Ø. Brandtsegg, ‘Applications of cross-adaptive audio effects: automatic mixing, live performance and everything in between,’ Frontiers in Digital Humanities, 5 (17), 28 June 2018
  4. D. Moffat and J. D. Reiss, ‘Perceptual Evaluation of Synthesized Sound Effects,’ ACM Transactions on Applied Perception, 15 (2), April 2018
  5. Milo, Alessia, Nick Bryan-Kinns, and Joshua D. Reiss. “Graphical Research Tools for Acoustic Design Training: Capturing Perception in Architectural Settings” In Handbook of Research on Perception-Driven Approaches to Urban Assessment and Design, pp. 397-434. IGI Global, 2018.
  6. H. Peng and J. D. Reiss, ‘Why Can You Hear a Difference between Pouring Hot and Cold Water? An Investigation of Temperature Dependence in Psychoacoustics,’ 145th AES Convention, New York, Oct. 2018
  7. N. Jillings, B. De Man, R. Stables, J. D. Reiss, ‘Investigation into the Effects of Subjective Test Interface Choice on the Validity of Results.’ 145th AES Convention, New York, Oct. 2018
  8. P. Bahadoran, A. Benito, W. Buchanan and J. D. Reiss, “FXive: investigation and implementation of a sound effect synthesis service,” Amsterdam, International Broadcasting Convention (IBC), 2018
  9. M. A. Martinez Ramirez and J. D. Reiss, ‘End-to-end equalization with convolutional neural networks,’ Digital Audio Effects (DAFx), Aveiro, Portugal, Sept. 4–8 2018.
  10. D. Moffat and J. D. Reiss, “Objective Evaluations of Synthesised Environmental Sounds,” Digital Audio Effects (DAFx), Aveiro, Portugal, Sept. 4–8 2018
  11. W. J. Wilkinson, J. D. Reiss, D. Stowell, ‘A Generative Model for Natural Sounds Based on Latent Force Modelling,’ Arxiv pre-print version. International Conference on Latent Variable Analysis and Signal Separation, Guildford, UK, July 2018
  12. E. T. Chourdakis and J. D. Reiss, ‘From my pen to your ears: automatic production of radio plays from unstructured story text,’ 15th Sound and Music Computing Conference (SMC), Limassol, Cyprus, 4-7 July, 2018
  13. R. Selfridge, J. D. Reiss, E. Avital, Physically Derived Synthesis Model of an Edge Tone, Audio Engineering Society Convention 144, May 2018
  14. A. Pras, B. De Man, J. D Reiss, A Case Study of Cultural Influences on Mixing Practices, Audio Engineering Society Convention 144, May 2018
  15. J. Flynn, J. D. Reiss, Improving the Frequency Response Magnitude and Phase of Analogue-Matched Digital Filters, Audio Engineering Society Convention 144, May 2018
  16. P. Bahadoran, A. Benito, T. Vassallo, J. D. Reiss, FXive: A Web Platform for Procedural Sound Synthesis, Audio Engineering Society Convention 144, May 2018

 

See you in 2019!

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